<p><a href="http://ipablog.prsa.org/wp-content/uploads/2015/08/Linda_Popky_Photo.jpg"><img decoding="async" loading="lazy" class="alignnone  wp-image-244" src="http://ipablog.prsa.org/wp-content/uploads/2015/08/Linda_Popky_Photo-192x300.jpg" alt="Linda_Popky_Photo" width="115" height="180" srcset="https://ipa.prsa.org/wp-content/uploads/2015/08/Linda_Popky_Photo-192x300.jpg 192w, https://ipa.prsa.org/wp-content/uploads/2015/08/Linda_Popky_Photo.jpg 325w" sizes="(max-width: 115px) 100vw, 115px" /></a></p>
<p>“It was November 1923. Bandleader Paul Whiteman asked composer George Gershwin to create a concerto-like piece for an experimental jazz concert he was planning.   The event program was quite long that night and the ventilation system broke. It was hot, the audience uncomfortable, and many of the pieces sounded similar. Gershwin’s new composition was second to last on the program. The room quieted. A haunting clarinet solo began, and American music was never the same.”</p>

<div class="post-teaser-block">This is a preview of <q>July’s IPA Webinar with Linda Popky now available on demand!</q>. <a href="https://ipa.prsa.org/?p=245" title="Permanent Link: July’s IPA Webinar with Linda Popky now available on demand!" rel="bookmark">Read the full post (467 words, 2 images, estimated 1:52  mins reading time)</a></div>{"id":245,"date":"2015-08-14T11:41:24","date_gmt":"2015-08-14T15:41:24","guid":{"rendered":"http:\/\/ipablog.prsa.org\/?p=245"},"modified":"2015-08-14T12:30:42","modified_gmt":"2015-08-14T16:30:42","slug":"julys-ipa-webinar-with-linda-popky-now-available-on-demand","status":"publish","type":"post","link":"https:\/\/ipa.prsa.org\/?p=245","title":{"rendered":"July\u2019s IPA Webinar with Linda Popky now available on demand!"},"content":{"rendered":"<p><a href=\"http:\/\/ipablog.prsa.org\/wp-content\/uploads\/2015\/08\/Linda_Popky_Photo.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone  wp-image-244\" src=\"http:\/\/ipablog.prsa.org\/wp-content\/uploads\/2015\/08\/Linda_Popky_Photo-192x300.jpg\" alt=\"Linda_Popky_Photo\" width=\"115\" height=\"180\" srcset=\"https:\/\/ipa.prsa.org\/wp-content\/uploads\/2015\/08\/Linda_Popky_Photo-192x300.jpg 192w, https:\/\/ipa.prsa.org\/wp-content\/uploads\/2015\/08\/Linda_Popky_Photo.jpg 325w\" sizes=\"(max-width: 115px) 100vw, 115px\" \/><\/a><\/p>\n<p>\u201cIt was November 1923. Bandleader Paul Whiteman asked composer George Gershwin to create a concerto-like piece for an experimental jazz concert he was planning.\u00a0\u00a0 The event program was quite long that night and the ventilation system broke. It was hot, the audience uncomfortable, and many of the pieces sounded similar. Gershwin\u2019s new composition was second to last on the program. The room quieted. A haunting clarinet solo began, and American music was never the same.\u201d<\/p>\n\n<div class=\"post-teaser-block\">This is a preview of <q>July\u2019s IPA Webinar with Linda Popky now available on demand!<\/q>. <a href=\"https:\/\/ipa.prsa.org\/?p=245\" title=\"Permanent Link: July\u2019s IPA Webinar with Linda Popky now available on demand!\" rel=\"bookmark\">Read the full post (467 words, 2 images, estimated 1:52  mins reading time)<\/a><\/div>","protected":false},"excerpt":{"rendered":null,"protected":false},"author":2572,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[57,61,3],"tags":[124,125],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ipa.prsa.org\/index.php?rest_route=\/wp\/v2\/posts\/245"}],"collection":[{"href":"https:\/\/ipa.prsa.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ipa.prsa.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ipa.prsa.org\/index.php?rest_route=\/wp\/v2\/users\/2572"}],"replies":[{"embeddable":true,"href":"https:\/\/ipa.prsa.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=245"}],"version-history":[{"count":3,"href":"https:\/\/ipa.prsa.org\/index.php?rest_route=\/wp\/v2\/posts\/245\/revisions"}],"predecessor-version":[{"id":250,"href":"https:\/\/ipa.prsa.org\/index.php?rest_route=\/wp\/v2\/posts\/245\/revisions\/250"}],"wp:attachment":[{"href":"https:\/\/ipa.prsa.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ipa.prsa.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ipa.prsa.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}